This means that the distortion level/cleannesss were badly tuned. The best example of this is on "Hard As Love" and "Paper Lies": the guitar sounds like the cheapest razor on sale at Zellers you turn up the volume, and it becomes worse. This creates tremendous losses of power and presence coming out of the guitar sound. MARILLION is a crystal clean modern sophisticated sound band, and definitely putting an organ in the tracks doesn't work: leave that keyboard to the 70's prog bands! The rythmic distorted electric guitar is disappointing: the distortion is very annoying because there is a flagrant lack of bottom and cleanness in the guitar sound: it's like if you cut all the low frequencies of the guitar sound. There is something new here compared to the FISH era: the organ-like keyboard is omnipresent and this really irritates me. I've tried to understand why I do not give the perfect note for this album, and here is the explanation: Darryl Way / orchestral arrangements (10) Releases informationĢCD EMI - 497040 2 (1998, Europe) 24-bit remaster by Peter Mew w/ bonus CDĢCD Sanctuary Records - NR 4512 (1998, US) 24-bit remaster by Peter Mew w/ bonus CD The Liverpool Philharmonic / cellos, flutes Steve Hogarth / lead & backing vocals, keyboards, percussion * Recorded in 1993 at the Racket Club, previously unreleased Line-up / Musicians Scott Joplin's "The Entertainer" (instrumental) - hidden track after 26' of silence The Great Escape (Spiral remake) (5:51)ġ2. Alone Again in the Lap of Luxury (demo) (3:17) *ġ1. Living with the Big Lie (demo) (5:12) *ĩ. Alone Again in the Lap of Luxury (acoustic) (2:43)ħ. The Great Escape (orchestral version) (5:18)ĥ. Alone Again into the Lap of Luxury (8:12)īonus CD from 1998 EMI & Sanctuary remasters:ġ.
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